The nicest adjective to to describe the Welcome to the Blumhouse film, Black as Night is dreadful. That is the ...

Since we’ve all lived through a deadly pandemic, there have been jokes made about how certain storylines and plot devices ...

“How can their name just be so pivotal and be one we never learn?” Narrative control is the first (and ...

Encounter is a film that has some interesting themes but doesn’t fully flesh them all out. It doesn’t have the ...

If Saloum is an example of what we can expect from new distributor Lacmé Studios and director Jean Luc Herbulot, ...

Out of Sync tells a compelling story story about a woman that finds herself slowly falling out of sync with ...

How would society react if people started getting predictions that they were set to die and be bound to Hell ...

There’s been a lot of buzz around Rob Savage’s Dashcam and to be honest, none of it is deserved. Dashcam ...

The Guilty is one of those films that feels like actually benefited from COVID restrictions. Any other time and this ...

Kriss and Ro reviewed the film Petite Maman during the 2021 Toronto Film Festival. Writer/director Céline Sciamma returns to the ...